Автор

S.-Kh. Syrtypova

Author(s)

Toward a Methodology for the Study of Buddhist Fine Art: (using an example of Zanabazar’s works)

Orientalistica, 2023, №3-4 » HISTORY OF THE EAST. Historiography, source critical studies, historical research methods, 534-547, DOI: 10.31696/2618-7043-2023-6-3-4-534-547

Bodhisattva Manjushri and Zanabazar (1635–1723)

Orientalistica, 2023, №1 » HISTORY OF THE EAST. Historiography, source critical studies, historical research methods, 73-86, DOI: 10.31696/2618-7043-2023-6-1-073-086

Maitreya and Zanabazar in Mongolia

Orientalistica, 2022, №5 » HISTORY OF THE EAST. General history, 1043-1061, DOI: 10.31696/2618-7043-2022-5-5-1043-1061

Buddha Amitayus and the artistic heritage of Zanabazar (1635-1723)

Orientalistica, 2022, №2 » HISTORY OF THE EAST. Historiography, source critical studies, historical research methods, 282-300, DOI: 10.31696/2618-7043-2022-5-2-282-300

Interpretation of the image of the Goddess Tara by Zanabazar compared to that by his predecesors and followers (from Sri Lanka to Siberia)

Orientalistica, 2020, №2 » HISTORY OF THE EAST. General history, 348-378, DOI: 10.31696/2618-7043-2020-3-2-348-378

Tathagata Buddhas by the artist Zanabazar (1635-1723): Ratnasambhava, Amitabha, Amoghasiddhi, Vairochana

Orientalistica, 2019, №3 » HISTORY OF THE EAST. General history, 591-612, DOI: 10.31696/2618-7043-2019-2-3-591-612

Vajradhara Buddha in Mongolia

Orientalistica, 2019, №1 » HISTORY OF THE EAST. General history, 62-76, DOI: 10.31696/2618-7043-2019-2-1-62-76